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Posted: Tue Oct 02, 2007 12:46 pm
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Posted: Tue Oct 02, 2007 4:37 pm
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Posted: Tue Oct 02, 2007 6:18 pm
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Posted: Tue Oct 02, 2007 6:46 pm
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Desdemona Legardored Crew
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Posted: Tue Oct 09, 2007 7:20 pm
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Posted: Sat Oct 13, 2007 10:46 pm
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Posted: Wed Oct 17, 2007 10:18 pm
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Posted: Fri Nov 02, 2007 10:36 am
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I had to think a while before I realized I had a style at all. I try to focus on the sync of the clips to the music, and with the exception of "Awake", which had several fades to white, I tend not to use any effects at all.
The influence was this class I took at Bakuratsu con a few years ago. I hadn't started editing yet, but I was interested and had some ideas. This guy basically said that effects were the best part of the AMV, Weird Al should die, and throwing random stills you found on the internet into your video was funny. I could barely sit through that class. Then he said he was going to show us a professional animated music video, and once our little egos had burst and we'd realized we would never be as good as that, we'd be better editors for it. It was not a good AMV. I wouldn't even call it an AMV. It was a bunch of stills of manga pin-up girls bathing, with rather violent and flashy transitions, set to a decent j-pop song. It took me a moment to realize he was serious about gushing about how wonderful this waste of time was.
Since then, I've been trying to make really good AMVs that break every one of his rules.
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Desdemona Legardored Crew
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Posted: Tue Nov 06, 2007 8:29 am
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Kittywitch I had to think a while before I realized I had a style at all. I try to focus on the sync of the clips to the music, and with the exception of "Awake", which had several fades to white, I tend not to use any effects at all. The influence was this class I took at Bakuratsu con a few years ago. I hadn't started editing yet, but I was interested and had some ideas. This guy basically said that effects were the best part of the AMV, Weird Al should die, and throwing random stills you found on the internet into your video was funny. I could barely sit through that class. Then he said he was going to show us a professional animated music video, and once our little egos had burst and we'd realized we would never be as good as that, we'd be better editors for it. It was not a good AMV. I wouldn't even call it an AMV. It was a bunch of stills of manga pin-up girls bathing, with rather violent and flashy transitions, set to a decent j-pop song. It took me a moment to realize he was serious about gushing about how wonderful this waste of time was. Since then, I've been trying to make really good AMVs that break every one of his rules.
O.O That guy should be shot.
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Posted: Mon Nov 12, 2007 4:33 am
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Posted: Sat Oct 25, 2008 9:22 am
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He was back again this year... or at least someone who likes that style of editing. But this time, I actually left in the middle of the panel. He showed some panels of girls in mecha fluttering down the screen to Rammestien, with flames in the background. I've got nothing against Rammestien, but come on. That's almost as original as DBZ and Likin Park, and we're supposed to think it's good just because they have Aftereffects? confused So he shows this, and says, "Show of hands, who loved that?" And most people raised their hands. And then he said, "You people who didn't-- you're lying." So I stood up and said, "Actually, no. I hate that style of editing." And he looked at me and repeated, "You're lying."
And that's the story of how I stormed out of an AMV panel yesterday.
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