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Posted: Sun Sep 24, 2006 4:17 pm
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Posted: Tue Sep 26, 2006 3:26 pm
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Posted: Tue Sep 26, 2006 7:03 pm
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Posted: Wed Sep 27, 2006 11:55 pm
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Posted: Thu Sep 28, 2006 4:37 am
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Posted: Thu Sep 28, 2006 7:37 am
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Posted: Mon Oct 02, 2006 2:45 pm
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Posted: Mon Oct 02, 2006 2:56 pm
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Posted: Tue Oct 03, 2006 3:42 pm
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Posted: Thu Oct 05, 2006 10:27 am
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Posted: Mon Oct 09, 2006 12:28 pm
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Posted: Wed Oct 11, 2006 7:35 pm
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Posted: Thu Oct 12, 2006 7:30 pm
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DitescoMori That was terrible. Closeur was the only video worth having, and it was for the music videos. Concert footage is ok, but there doesn't need to be a video after every tour, especially with more mediocre albums like The Fragile and With Teeth. Same s**t, different DVD, more money. Sry. I don't know if you've ever been to a concert, but in my opinion ANY concert footage is great, since it helps me relive the utter SPLENDOUR of seeing Nine Inch Nails live. And plus, Beside You in Time is a great song, even more so live. You may call The Fragile and With Teeth mediocre, but honestly, it's impossible to be better than the Downward Spiral, so why don't you just accept the albums for what they are? And if you think they're putting out the DVD just for money . . . well, what's wrong with that? Don't you think Trent deserves all that money for being such an amazing musician? He's still putting his heart into what he's doing. At least he's actually doing something with his life.
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Posted: Sat Dec 16, 2006 2:16 pm
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Posted: Fri Dec 22, 2006 3:43 pm
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DitescoMori That was terrible. Closeur was the only video worth having, and it was for the music videos. Concert footage is ok, but there doesn't need to be a video after every tour, especially with more mediocre albums like The Fragile and With Teeth. Same s**t, different DVD, more money. Sry.
NiN live is insane, and I'll gladly pay money for something I enjoy. DVD, CD, etc.. Because it's worth it. Because I want more. Because I appreciate it. I can't say that about many other bands personally, but I can say it about NiN.
Another thing, imagine how dull life would be if music never changed with time. How do you expect an artist to remain stuck in the specific niche/tune/feeling you preferred? I dig Trent's choices, his evolution. I welcome what comes next. When I want old, I have a CD rack of it. When I want new, I buy it.
It's that simple.
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