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Posted: Mon Dec 06, 2010 6:08 am
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Posted: Mon Dec 06, 2010 6:13 am
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Posted: Mon Dec 06, 2010 6:20 pm
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Posted: Mon Dec 06, 2010 6:49 pm
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Posted: Mon Dec 06, 2010 7:41 pm
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Posted: Mon Dec 06, 2010 7:50 pm
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Posted: Mon Dec 06, 2010 8:58 pm
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I despise tracing with a passion. I hate those that do it and post it online, whether they claim it as their own or not. If it's "just practice" and you're using someone else's work (usually without their permisssion I might add) it does notbelong in your gallery where you get credit for it. Also, it's rude and inconsiderate. Think, how would you feel if someone was tracing your work and getting all this attention and praise for it?
Copyright does not disappear on the internet. Unless an image say "you can use this" "royalty free" or "public domain" you can not use it. Plain and simple. If you are unsure if you can use it, assume no.
Also, it's not flattering and it's not "more promotion" for the artist. Those are just bullshit excuses made up to try and assure the tracer's conscience.
As for the learning tool aspect of it, I've found those who rely on tracing for "learning" are usually poorer artists than those that don't. Why? They rely on another artist, so they are 'interpreting' a form based on another artist's 'interpretation' of a form, learning much to be lost in translation. They don't learn to use, develop and trust their artistic eye, which can hinder their improvement for years even if the tracing is minimal. So either way it comes back to bite them in the butt one way or another. I mean look at the simmons kid or vampirella87 or that amiura chick. All three went from having an "art career" to having a nonexistent one due to tracing.
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Posted: Wed Dec 08, 2010 7:20 am
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Posted: Thu Dec 09, 2010 12:52 pm
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Posted: Thu Dec 09, 2010 4:41 pm
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Posted: Thu Dec 09, 2010 5:04 pm
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Posted: Thu Dec 09, 2010 5:15 pm
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Posted: Thu Dec 09, 2010 5:28 pm
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