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The exact origins of the clan are unknown. There are several theories.


Although the Daughters of Cacophony are a relatively modern phenomenon, one source suggests that they have an origin in the Dark Ages. According to this legend, a peerless Toreador chanteuse heard a song coming from a distant hillock and realized that her own talents paled in comparison to this mysterious voice. At first wracked with jealousy, she sought to destroy this unknown singer, but over time she became contrite and, humbled, sought out the singer, so that she could study under this hidden muse. The mysterious singer, a lady of the fae, accepted the Toreador into her faerie domain. The fate of this Toreador chanteuse is unknown, although some of her clanmates claim to have heard two voices singing in unison from beneath the earth.


Other sources point to the shadowy True Black Hand. Originally conceived as a weapon to infiltrate the Camarilla in the same manner the Black Hand was intended to, the True Black Hand gathered Toreador singers and tutored them under an ancient Malkavian. The result was not what the sect had intended and though many argued to destroy the failed survivors, others voted to let them live for future use. In exchange for keeping the secrets of their makers, the Daughters were cut loose and allowed to go on their own.


Another source suggests that the clan was founded by the Malkavian Dr. Reiner Stoschka and his Gentlemen's Society for the Rational Investigation of Super-Natural Matters. They experimented on Kindred to determine whether common clan traits such as weaknesses and affinities for certain Disciplines were psychological in nature. However, the experiments drove their subjects quite mad. One of their charges was a Toreador woman, who found the only way to lessen her own pain was to share it with others. And to do this, she sang. Although only implied, Dr. Stoschka's experiment stands as the only explicit and official explanation for the origins of the bloodline, even though the fact that they first appeared in about 1700 conflicts with this theory since Victorian Age: Vampire begins in 1880.

It is, however, certain that the Daughters were at the height of their popularity during the Victorian era, especially concerning mortals. Operas were the highest form of entertainment and popular music changes in their favor.